Eubie Blake is in total command of his mind and memory and of his still-facile and majestic hands. Recorded in 1968 and 1969, this record is by far the best way to get to know, love, and appreciate Eubie Blake, master of ragtime and gorgeous melodies.The taproot of jazz runs directly from Blake's generation up through all of those Eastern Seaboard ticklers, most significantly James P. Johnson and the school of what critics and historians have labeled Harlem stride piano. He always said he wanted to live to be a hundred. Visit the IIIF page to learn more. She always sang like that. The early 20th century ragtime and jazz musicians Eubie Blake and Noble Sissle had a major hit on their hands when they co-wrote Shuffle Along, the first major Broadway musical by, for, and about African Americans. Life casts of musician Eubie Blake's hands made of polyester resin. Created by Bobbiegita Walker, American, born 1942 Subject of Eubie Blake, American, 1887 - … Eubie had pneumonia and couldn’t leave bed to attend; but music from the 24-hour jazz concert at St. Peter’s Lutheran Church was telephoned in to him on a special apparatus. He told the agents that Sissle and Blake had played in the houses of millionaires and the social elite and they dressed in tuxedos and he’d be damned if he’d let us go on stage in old overalls and act like a couple of ignoramuses.”. To get to Aggie Sheldon’s, “Mouse” waited every evening until his parents’ lamp went out and he could hear his father’s work boots drop. If it was you that was gone, it would still be here, too. Eubie used to laugh, much later, talking of their beginning: “Some agent had a smart idea for an act for us. But he got it to play for the pimps dressed for the evening in their full-backed coats, tight-legged pants, Stetson hats, gold watch chains and diamond rings. Eubie Blake was one of the most important figures in early-20th-century African-American music, and one whose longevity made him a storehouse of the history of ragtime and early jazz music and culture. 1972, Berlin, Eubie Blake (p,v): 3:33 Charleston Rag / 4:35 I am Wild About Harry / 5:50 Memories Of You / But if a woman ever entered, someone would shout, “Heads up, men!” and all the vile talk would cease. Life casts of musician Eubie Blake's hands made of polyester resin. Eubie Blake is in total command of his mind and memory and of his still-facile and majestic hands. Tags 1978-79, Eubie Blake, Gary Busey, Gregory Hines, saturday night live, Season 4, snl 8 Replies to “March 10, 1979 – Gary Busey / Eubie Blake and Gregory Hines (S4 E14)” Jurb says: Eubie Blake leaped halfway from his seat and yelled “Oh, professor, professor, you hit me, you hit me!” He placed both hands over his heart and continued with great emotion: “You make me think of my dear mother. This brought on the conflict with his mother which he had feared. Eubie’s wife, Avis, died in 1939. Eubie later got drunk on fifteen cents’ worth of liquor. He was born to former slaves, Emma and John Sumner Blake, on February 7, 1883 in Baltimore, Maryland. All told, the show ran for more than 500 performances. Others copied that expression over the years: U.S. composer Eubie Blake, baseball hero Mickey Mantle and Hollywood producer Adolph Zukor. Ma Baby,” “Doobye Dolly Gray,” “Any Old Rags?” and ironically, “A Bird in a Gilded Cage.”  Before long, Eubie started to wear a pair of long pants that came up to his armpits. For the white ladies of the evening, he played the greatest hits of the times:  “After the Ball,” “Maggie Murphy’s Home,” “Hello! He performed at such places as the Belmont, the Bucket of Blood, Kelly’s and Ben Allen’s. Sourced quotations by the American Lyricist Eubie Blake (1887 — 1983). How was Eubie Blake different from other pianist/ composers? In 1910 Eubie also wrote “Troublesome Ivories,” a tune with which he wanted “to cut everybody with.”  This composition was difficult even for him to play. He will entertain you completely if you’re ever lucky enough to attend him in concert. From 1910 until 1915, Eubie again spent his summers in Atlantic City. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. He could consume two quarters of champagne in an evening without any discernable effect. The collection consists of one handwritten letter by Eubie Blake to Professor John Garvey, director of the University of Illinois Jazz Band, dated August 3, 1969. The other event was an all-star musical tribute to Eubie Blake, at which he was certainly there in spirit. At 90, “Eubie had a spring in his step, jumped out of his chair whenever a lady entered the room and could recall 1907 and last week with equal alacrity.” So wrote Lynn Norment in an Ebony article called “Farewell to Ragtime’s Apostle of Happiness.”, Nearing his 100th birthday, while sitting at a table with a man in his forties, a beautiful woman moved across the dance floor. In 1910 he married Avis Lee of Baltimore, who herself was an accomplished classical pianist, an ex-schoolmate of Eubie. You can see they’re gone and the world is still here. He did not marry again until 1945 after he fell in love with Marion. (from Reminiscing With Sissle & Blake by Robert Kimball & William Bolcom). There are five undated manuscripts in Blake's hand of his arangements for the songs He describes Rachmaninoff's legendary hands interpret the tune through octaves across the keyboard, a reminder that Blake … He was paid $3 for a seven-day week plus tips which were lavish. Kick it off!’ She’d stay up until I got back, waiting to make sure I kicked off all the sawdust!”. It was really quite remarkable. He also accompanied for singers Madison Reed, Mary Stafford (a great star of the day), Lottie Dempsey, Big Lizzie and Alabama Blossom. Creative Commons. Eubie Blake seemed to know exactly what he wanted to do with his life from the time he first embarked upon it. Once on a streetcar, she said of his pianist’s hands, “Double those fingers up! Twelve was when he sang outside local bars with a group of friends for change. Signed 8x10 black and white publicity photograph of the musician and composer sitting down with his hands crossed in a dark suit-and-tie, glasses and cloth cap. Ducking behind the piano saved his life. At fifteen, still wearing short pants, he played piano in Aggie Sheldon’s bawdy house. But “bless her heart, she learned it, had arrangements made, and sang it in the same week,” Sissle would later say. New York Governor Mario M. Cuomo expressed the feelings of many when he composed the following mailgram to Eubie Blake for his centennial birthday:“We have all been enriched by your extraordinary contributions to the music of this century. Thaťs the stuff I was raised on.” Between 1906 and 1907 Eubie spent summers playing piano in Atlantic City where he met, competed with, influenced and was influenced by other musicians. Writing in 1945, Willis Laurence James recalled giving a lecture demonstration attended by Eubie Blake: I sang a florid Negro cry. But you got to get up and go out and live your life.”, This Eubie did. The store manager, impressed with Eubie’s ability, convinced Mrs. Black to purchase a $75 piano for $.25 a week. He could play the piano like an angel and finally he was among the angels. Eubie Blake leaped halfway from his seat and yelled “Oh, professor, professor, you hit me, you hit me!” He placed both hands over his heart and continued with great emotion: “You make me think of my dear mother. NOTE: Cataloging is an ongoing process and we may update this record as we conduct additional research and review. Blake gives a personal performance of his ever popular "Charleston Rag". Eubie Blake was one of the longest lasting pioneers of ragtime, and lived to nearly a week past his 96th birthday, although not his 100th as had long been believed. She always sang like that. Eubie’s father, John Sumner Blake, was a stevedore at the Baltimore docks. There is much in the way of legal demographic evidence to show that Blake was actually born in 1887, not 1883 as was commonly written throughout the second half of the 20th century. Neither John nor Emma were musically inclined, except for Emma’s love of gospel music; she crooned hymns to her son in his crib. If you have more information about this object, please contact us at NMAAHCDigiTeam@si.edu. ... Holding hands at midnight 'Neath a starry sky… Nice work if you can get it, And you can get it if you try. One of Eubie’s jobs, after Sheldon’s, was to be “Professor Hubert Blake,” who played a melodeon – a small reed organ – while buck dancing on the tailgate of a horse-drawn wagon. The photographs in the book are close crops of fingers on fretboards and keys as well as wider shots whose focus, nonetheless, is hands. The ragtime pianists, reveling in their art, called themselves by such names as The Shadow, Jack the Bear, Big Head Wilbur, No Legs Casey, Abba Labba, Cat-Eye Harry, Boots Butler, Sparrow, Seminole, Slue-Foot Nelson, Sheet-Iron Brown, Wild Cat Joe, Black Diamond, Squirrel and John the Baptist (from Reminiscing With Sissle & Blake). Like his childhood games, he made a challenge of piano-playing to himself and others. An artist develops his or her creativity simply by developing themselves. He began composing his own music. John Blake himself made $9 a week. They brought their first collaboration – “It’s All Your Fault,” to Sophie Tucker, at the Maryland Theatre. Donated by the Ann Arbor News. Enjoy the best Eubie Blake quotes and picture quotes! And he did, even though he smoked and ate sweets! Eubie Blake - Autographed Signed Photograph - Item 30656. His friends later said of him that they knew his spirit was hanging on, more than the body, because of his strong will to live. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals to be written and directed by African Americans. The upright piano was still in its packing crate when Eubie first arrived. Recorded in 1968 and 1969, this record is by far the best way to get to know, love, and appreciate Eubie Blake, master of ragtime and gorgeous melodies.The taproot of jazz runs directly from Blake's generation up through all of those Eastern Seaboard ticklers, most significantly James P. Johnson and the school of what critics and historians have labeled Harlem stride piano. National Museum of African American History and Culture, http://n2t.net/ark:/65665/fd59bfda784-cacf-46c3-ba95-19700462484e. Eubie Blake: From Mouse To Lion. by pattykaymooney | Jul 29, 2016 | Profiles. With his long fingers and piano-key-sparking talent, Eubie found himself a job. Emma, small, tough and fervently religious, gave birth to 12 children, only one of whom lived past infancy – Eubie. And I remember on the occasion, Eubie Blake was there; the bass player we used to call the Judge, Milt Hinton, he was there. He returned later with a ham, a turkey, sweet potatoes and the works, with a quarter left over for Eubie. University of Michigan - African-American Music Collection “They All Played Ragtime” tells of a gala performance of “Shuffle Along” in Baltimore in which blacks by special permission were allowed to sit in the boxes. The sawdust was so high it was above the soles of your shoes. He has touched the lives of many through his music, a happy-go-lucky expression of his creativity – he loved ragtime and he always kept his own advice; never change the act if you know it’s a good one. A man who made a mark on not only his own life, but the lives of people everywhere. John and Emma Blake had been slaves in Virginia and came north to seek a better life. … “Eubie’s mother, however, was not won over by her son’s success. In 1972, Mr. Blake started a record company, Eubie Blake Records, for which he was the principal performer, and continued to write and publish rags. It was Christmas. Eubie kept his career a secret from his parents until one day when a neighbor lady told Mrs. Blake she had heard coming out of Aggie Sheldon’s piano playing that could only be Eubie’s – because of the “wobble-wobble” in the left hand – a sort of reverse boogie bass which came to be Eubie’s trademark. Black Americans. When asked who had thrown the rock, a woman witness pointed at Eubie and said, “That mouse-faced boy.”  Eubie thereafter became known as “Mouse” to his friends. B/w, 7¾x9¾ overall, 7x8¾ image, one surface. Emma “washed and cleaned for white folks.” (LT Carter). Thaťs the stuff I was raised on.” Thaťs the stuff I was raised on.” By 1902, Eubie had gotten himself a new job buck dancing in “Old Kentucky,” a colored minstrel show in New York City. Life casts of musician Eubie Blake's hands made of polyester resin. He felt, lived and played his music. I wish I was ninety again!”, His memorial service, held in the church where eleven days earlier, thousands of people had celebrated his birthday, began with this prayer:  “Thank you, Jesus, for Eubie. B This one is Eubie Blake alone playing piano alone. I can hear her now. Eubie also became a very excellent buck dancer and this talent Eubie Blake leaped halfway from his seat and yelled “Oh, professor, professor, you hit me, you hit me!” He placed both hands over his heart and continued with great emotion: “You make me think… It looks like there's an issue with JavaScript in your browser. Eubie Blake - Autographed Signed Photograph - Item 30656. Digial.com Best Video Production Companies 2020, Ava Platinum Winner for Full Cycle: A World Odyssey, San Diego Video Production Company on Clutch. 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